VCA ART 2020

Ruebi Smith

Bachelor of Fine Arts (Drawing & Printmaking)

For almost two decades Ruebi Smith has been gliding horizontally between the inner and outer east of Melbourne, dynamically shifting between personalities which are entirely geographically determined. Over-contextualised pieces of clothing and household items are used as a medium; garments and décor become idols of her character. Her use of juxtaposition becomes an ironic, performative allegory for her experience of womanhood. Rather than projecting her own set of skills and attributes, shapeshifting and mimicry are utilised. Imagine not the suburbs from which you came or to which you travel, but the train ride in between. It is about the contemplative journey on which you decide who you will please that day.

Ruebi Smith, Dutch School, 2020, digital print
Ruebi Smith, Dutch School, 2020, digital print
Ruebi Smith, Wide-angle Shot of a Set in Ruebi Smith's Studio (Process Shot), 2020
Ruebi Smith, ебать сука, digital print, 2020
Ruebi Smith, ебать сука, digital print, 2020
Ruebi Smith, Camilla Feeds the Cows, film, 2020
Ruebi Smith, installation view (detail), 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.
Ruebi Smith, installation view (detail), 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.
Ruebi Smith, installation view, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.
Ruebi Smith, installation view, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.
Ruebi Smith, Pasta Vision, digital print, 2020
Ruebi Smith, Pasta Vision, digital print, 2020
Ruebi Smith, In Between 01, digital print, 2020
Ruebi Smith, In Between 01, digital print, 2020
Ruebi Smith, In Between 02, digital print, 2020
Ruebi Smith, In Between 02, digital print, 2020

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

This website may contain sensitive or triggering content