VCA ART 2020

Simon Clark

Bachelor of Fine Arts (Drawing & Printmaking)

My work aims to explore how Brutalist architecture represented more than just an interesting aesthetic but in fact, underpinned a naïvely optimistic belief that the future would be socialist and utopian.

The use of collage is intended to bring non-illusionistic materiality to the subject; and yet, as constructed images, the collaged elements intentionally play with representational recognisability—the simplified colours and forms flex the pictorial divisions of interpretation and index. The aim is to suggest an alternate reality, a parallel dimension where the utopian dream was made real, somehow almost visible in the periphery of our vision yet just out of reach, like a series of lost futures.

In photographing extant Brutalist structures, I aim to illustrate just how out of place they seem in the twenty-first century as living relics embodying an idealism that is also out of place; the ghost of a utopian vision that never came to pass.

Simon Clark, 1966/2004, paper and card collage, 2020
Simon Clark, 1966/2004, paper and card collage, 2020
Simon Clark, The Spencer Residence 1958-1978, paper collage on perspex, 2020
Simon Clark, The Spencer Residence 1958-1978, paper collage on perspex, 2020
Simon Clark, Gaskin Gardens, paper and card collage, ink, graphite, 2020
Simon Clark, Gaskin Gardens, paper and card collage, ink, graphite, 2020
Simon Clark, Utopian Spatium, paper and card collage, graphite, 2020
Simon Clark, Utopian Spatium, paper and card collage, graphite, 2020
Simon Clark, Southbank Utopia, paper and card collage, ink, graphite on perspex, 2019
Simon Clark, Southbank Utopia, paper and card collage, ink, graphite on perspex, 2019
Simon Clark, Untitled, paper collage, graphite and ink on perspex, 2020
Simon Clark, Untitled, paper collage, graphite and ink on perspex, 2020
Simon Clark, Dazzle Pattern 2, digital print, 2019
Simon Clark, Dazzle Pattern 2, digital print, 2019
Simon Clark, Hexaphobia, digital print, 2020
Simon Clark, Hexaphobia, digital print, 2020
Simon Clark, Hemostasis, charcoal, chalk on paper, 2018
Simon Clark, Hemostasis, charcoal, chalk on paper, 2018
Simon Clark, installation view, 2020. Documentation by Lucy Foster.
Simon Clark, installation view, 2020. Documentation by Lucy Foster.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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