VCA ART 2020

Ingmar Apinis

Master of Contemporary Art

At a time when the boundaries between tangible and virtual reality have begun to blur, something that plays on my mind is a world where the internet and its ubiquitous culture no longer exist. In his book, New Dark Age, artist and writer James Bridle discusses how global warming threatens the servers that house the internet, and the wi-fi signals we depend on to access this network. Imagine if the internet suddenly became defunct and billions of cat videos and memes evaporated into the clouds. How would online culture be remembered historically? My practice speculates on the types of artefacts the contemporary world might leave behind for humanity in some not-so-distant future.

Ingmar Apinis, Virtual Resort, plaster, mesh, acrylic, aerosol, water transfer print, 2020
Ingmar Apinis, Virtual Resort, plaster, mesh, acrylic, aerosol, water transfer print, 2020
Ingmar Apinis, The Shape of a File, plaster, mesh, adhesive digital print, 2020
Ingmar Apinis, The Shape of a File, plaster, mesh, adhesive digital print, 2020
Ingmar Apinis, OMG Mosaic, plaster, mesh, acrylic, aerosol, water transfer print, 2020
Ingmar Apinis, OMG Mosaic, plaster, mesh, acrylic, aerosol, water transfer print, 2020
Ingmar Apinis, Islands in the Stream, plaster, mesh, acrylic, water transfer print, 2020
Ingmar Apinis, Islands in the Stream, plaster, mesh, acrylic, water transfer print, 2020
Ingmar Apinis, Haptic Glitch,  plaster, mesh, water transfer print, 2020
Ingmar Apinis, Haptic Glitch, plaster, mesh, water transfer print, 2020
Ingmar Apinis, Busted Head, plaster, mesh, acrylic, aerosol, screen print, 2019
Ingmar Apinis, Busted Head, plaster, mesh, acrylic, aerosol, screenprint, 2019
Ingmar Apinis, Nostalgic for Cluelessness, plaster, mesh, acrylic, aerosol, water transfer print, 2020
Ingmar Apinis, Nostalgic for Cluelessness, plaster, mesh, acrylic, aerosol, water transfer print, 2020
Ingmar Apinis, Ctrl+P40, plaster, mesh, acrylic, aerosol, screen print, 2019
Ingmar Apinis, Ctrl+P40, plaster, mesh, acrylic, aerosol, screen print, 2019
Ingmar Apinis, Installation view, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.
Ingmar Apinis, installation view, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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