Geraldine Barlow
Spun trails
Trash relics grow into history
Camille Perry - defunct machine energy, in the river, stacked and … all towards the sea
Anna Jalansky – body spines, perilously balanced, found and folded, on reaching tip-toe
Maryse Dubois – fecund flower fruit, grown from decay
Tim Hardy – a match flares, a drop of water catches the sun, going down
The movement of many
Patrick Walker – dark metal road-flowers, in humming heat
Brendan Lee – spinning universes of energy, in motion, radiant, towers and stairs and stacks
Ashling Martin – many in the layered crowd, interwoven lives in motion
Ingmar Apinis – pop-bubblegum layered histories, conglomerate
The palace at 4am, erupts with energy
Madeleine Minalk – tiny listening sculptures, humble infinities to treasure
Jia Jia Chen – precious white, embedded bubbles, changing being
Jean Baulch – layered veils from the petri dish, chemical landscape memories
Julien Comer-Kleine – a sonic skeleton, listening to the birds inside
Quiet inside, echoes
Mimi Fitzsimmons – delicate threads with teeth, a harp
Chelsea Farquhar – radiant spirit shadows, circle
Kate Lewis – inside life’s textures and rhythms, soaring the quiet
Kye Hilton – sooty peach at the end of the earth, upside down
Geraldine Barlow
Geraldine Kirrihi Barlow is a proud former VCA graduate. As Curatorial Manager, International Art at the Queensland Art Gallery | Gallery of Modern Art, QAGOMA she was most recently the curator of ‘Water’. She was born on the Yarra River, lives on the Brisbane River and is connected across the waters to the Hokianga, Aeotearoa, Ireland and England. (Ngapuhi: Te Hikuti and Ngai te Rangi.) At QAGOMA she has contributed to 'The 9th Asia Pacific Triennial of Contemporary Art' (2018), working with Jananne al-Ani and Jonathan Jones, and curated ‘Gerhard Richter: The Life of Images’ (2017, with Rosemary Hawker); ‘Sugar Spin: you, me, art and everything’ (2016); and ‘Tim Fairfax: A World View’ (2016). In her previous role at Monash University Museum of Art, Melbourne, thematic exhibitions she curated included ‘Concrete’ (2014), ‘Liquid Archive’ (2012), ‘Networks (cells and silos)’ (2011) and ‘The Ecologies Project’ (2008, with Dr Kyla McFarlane).
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