Painting with sound, I create psychoacoustic landscapes that act as an archive for information and feeling. By melting together canonical musical expressions and personal experience, the intersubjective rubble of the unconscious emerges. Meaning is distorted and amplified through music, computational intervention, contaminated liquids and abstracted organic materials that oscillate between classical, almost recognisable, modes of operatic expression and pure noise. A reprieve from submersion and fate, constructing and inhabiting this emotional archaeology of the work is a means to enchant time and find worth, excavate emotions and engage with cultural dialogues that nurture loving relationships.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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