My practice is the nurtured exploration of a love triangle between body, mind and time: an indulgence in my own daydreams and other cerebral wormholes. I enjoy working in textiles; patchworking for me is a way of existing. The slow mending of what is frayed—both physically and mentally—is a technique of reconnecting with the past while informing my present. The repetitive threading, looping and weaving that my work requires is vital in the nurturing of an artmaking cycle and enlightens hidden thoughts. My romantic affliction with texture talks to a history of domestic crafts and women's work, which I welcome and aesthetically augment to respond to the art world hierarchy with feminist discourse.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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