In an increasingly digital age, the future of touch is unstable. In response to this condition, my work offers queer methodologies to enact care and to reconsider collective experiences in a fragmented society. By facilitating participatory encounters my research brings together artists and non-artists, humans and non-humans, to consider how we coexist and affect one another. Speaking to cultures of performance and voyeurism, production and consumption, my work embraces the screen as a necessary partner, enabling social interaction, collaborative practice and access to archives. With liveness, plurality and interdependency, my work generates choreographic scores to repurpose found material, from digital through to physical.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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