Madeleine Peters

Bachelor of Fine Arts (Painting)

I am a painter who also moves between textiles and sculpture. At present, my work is a deliberate attempt to produce a substitute reality—of an interior life or a less examined history. Often this might be an event that is unrecorded in a landscape now reformatted over time. Images of trains, volcanic forms, boats, mining and clothing resurface as my works navigate sequences of belief, place and human activity.

Social

Instagram

Enquiries

madeleinelpeters@gmail.com

Recipient

National Gallery of Victoria Women's Association Awards

Madeleine Peters, installation view, 60 piece glazed ceramic installation, oil on board (five panels), 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.

Madeleine Peters, Dorothea's Guest Room (Tidied), Oil on board, 2020. Documentation by Lucy Foster — Madeleine Peters, Dorothea's Guest Room (Tidied), oil on board, 2020. Documentation by Lucy Foster.

Madeleine Peters, From Left to Right: December 2008, Dutton Way, Dorothea's Guest Room (Tidied), The Nerve Test, Bomb Site, Oil on board, 2020. Documentation by Lucy Foster — Madeleine Peters, L to R: December 2008, Dutton Way, Dorothea's Guest Room (Tidied), The Nerve Test, Bomb Site, oil on board, 2020. Documentation by Lucy Foster.

Madeleine Peters, *December 2008*, oil on board, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees. — Madeleine Peters, December 2008, oil on board, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.

Madeleine Peters, Installation view (detail), 60 piece glazed ceramic installation, 2020. Documentation by Lucy Foster — Madeleine Peters, installation view (detail), 60 piece glazed ceramic installation, 2020. Documentation by Lucy Foster.

Soroush Abbasi nejad haghighi

Nicola Blumenthal

Grace Emerald Culley

Thomas Minchinton

Kostas Pavlidis

Madeleine Peters

Zachary Rockman

Savanna Szelski

Alexander Whitehouse

Blake Widdicombe

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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