As a maker, I create sculptural and performative outcomes to highlight moments of collaboration and exchange. Rather than attempting to provide answers, my process-driven practice engages with ideas around learning and the unknown. Currently, I am looking at the trope of the Victorian era spiritual medium as a site for cross-dimensional exchange and performance. Thinking of artmaking as analogous to ectoplasm—the materialised substance produced from the body of the medium during the séance—my work is full of contradictions and uncertainty.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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