VCA ART 2020

Kurt Medenbach

Honours

Where do memes go to die?

Digital, temporal, sculptural, performative // a shitstorm—multidisciplinary // through techno-augmentation the artist explores the dissipation of physical space into digital architecture // contemporary kitsch combined with the aesthetics of teenage consumerism highlight the human within the spectacle

like any playground stunt: this is an aesthetics of validity // anti-validity // MUDDY-THINKING // in jokes—the North Sea: stupidity // OUT: a fascination with disassociation // an over reliance on play

within—the utopic draws a path to the dystopic // where decaying myths are digitised // AND ideas are conceptualised until meaningless: we have come to see that thoughts are cheap // morphing fragmentations // AND expressions with short attention spans—the artist tends to digress // understand—stubborn art is beautiful in its willingness to fail.

Kurt Medenbach, Promethea, c-type digital print, puffy stickers, leather, steel, horse manure, 2020
Kurt Medenbach, Promethea, c-type digital print, puffy stickers, leather, steel, horse manure, 2020
Kurt Medenbach, Promethea, c-type digital print, puffy stickers, leather, steel, horse manure, 2020
Kurt Medenbach, Promethea (detail), c-type digital print, puffy stickers, leather, steel, horse manure, 2020
Kurt Medenbach, Speedy-Tale, 3D animation, 2020
Kurt Medenbach, Purifications, 3D animation, Empedecle's fragments, emoji translator, straw, twine, steel, 2020
Kurt Medenbach, Epimetheus, c-type digital print, puffy stickers, leather, steel, horse manure, 2020
Kurt Medenbach, Epimetheus, c-type digital print, puffy stickers, leather, steel, horse manure, 2020
Kurt Medenbach, Speedy-World, 3D animation, 2020
Kurt Medenbach, Dinosaurs, 3D animation, faceswap AI, straw, twine, steel, 2020
Kurt Medenbach, Chimera, c-type digital print, puffy stickers, steel, straw, found numberplate, 2020
Kurt Medenbach, Chimera, c-type digital print, puffy stickers, steel, straw, found numberplate, 2020
Kurt Medenbach, Speedy-Goods, 3D animation, 2020

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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