Nina Rose Prendergast

Honours

Muscles contract, eyes close, no internal monologue just icons. They swirl and distort to the point where their original meanings submit to new translations. In time, this whirlwind subsides, and the icons ground themselves to a materiality. They graft to marble sculptures like fossilised foliage. Each stone relic is enlivened or decayed by their decoration.

Website

www.ninaroseprendergast.com

Social

Instagram

Enquiries

ninapren@gmail.com

Nina Rose Prendergast, *Black Metal Drapery VIII, Black Metal Drapery III*, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020 — Nina Rose Prendergast, Black Metal Drapery VIII, Black Metal Drapery III, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020

Nina Rose Prendergast, *Black Metal Drapery X, Black Metal Drapery XI*, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020 — Nina Rose Prendergast, Black Metal Drapery X, Black Metal Drapery XI, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020

Nina Rose Prendergast, *Black Metal Drapery II, Black Metal Drapery I*, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020 — Nina Rose Prendergast, Black Metal Drapery II, Black Metal Drapery I, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020

Nina Rose Prendergast, *Black Metal Drapery IV, Black Metal Drapery VII*, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020 — Nina Rose Prendergast, Black Metal Drapery IV, Black Metal Drapery VII, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020

Nina Rose Prendergast, *Black Metal Drapery XII, Black Metal Drapery XVI*, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020 — Nina Rose Prendergast, Black Metal Drapery XII, Black Metal Drapery XVI, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020

Nina Rose Prendergast, *Black Metal Drapery XI, Black Metal Drapery VI*, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020 — Nina Rose Prendergast, Black Metal Drapery XI, Black Metal Drapery VI, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020

Nina Rose Prendergast, *Tapestry*, voile and thread, 2020 — Nina Rose Prendergast, Tapestry, voile and thread, 2020

Nina Rose Prendergast, *Tapestry and Frieze*, voile and thread, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020 — Nina Rose Prendergast, Tapestry and Frieze, voile and thread, spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020

Nina Rose Prendergast, *Frieze* (installation view), spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees. — Nina Rose Prendergast, Frieze (installation view), spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.

Nina Rose Prendergast, *Frieze* (installation view), spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees. — Nina Rose Prendergast, Frieze (installation view), spray paint and cornflour on laser cut acrylic mounted to inkjet prints, 2020. Documentation by Christo Crocker, Eliza Dyball and Aaron Rees.

Skye Malu Baker

Thandiwe Bethune

Julien Comer-Kleine

Felix von Dallwitz

Chelsea Farquhar

Thomas Solomon Kuiper

Brodie Kokkinos

Michael McCafferty

Brayden van Meurs

Madeleine Minack

Lia Dewey Morgan

Nina Rose Prendergast

Leo Bagus Purnomo

Liam Randles-Martin

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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