VCA ART 2020

Mardi Denham-Roberts

Bachelor of Fine Arts (Drawing & Printmaking)

Oozing, gushing, seeping. Water permeates and connects. Skin holds but does not contain.
Bodies are slippery: comprised of mostly water, suffused with other organisms and in constant flux. Yet, the gridded, impermeable, enclosed structures of Western urban landscapes and domestic spaces actively deny the leaky interdependence inherent to our being.

Through a practice of material investigation and bodily encounter, I ask: How can reminders of our sticky interconnectedness infiltrate our immediate material worlds? How can we find, amplify, and roll around in the moments where built structures and industrial materials do resemble a leaky, transient reality? How can we celebrate constant processes of shedding, absorbing, excreting and exchanging across (in)animate bodily vessels?

Mardi Denham-Roberts, tether (contingent), latex, single channel video, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, tether (contingent), latex, single channel video, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, contingent, graphite, paper, concrete, latex, video, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, contingent, graphite, paper, concrete, latex, video, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, eroding surface, single channel video, 2020
Mardi Denham-Roberts, in/animate, single channel video, 2020
Mardi Denham-Roberts, holding, held (contingent), graphite, paper, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, holding, held (contingent), graphite, paper, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, tether, single channel video, 2020
Mardi Denham-Roberts, false fastening (contingent), graphite, paper, concrete, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, false fastening (contingent), graphite, paper, concrete, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, reciprocity, unfired clay, 2020. Documentation by Lucy Foster.
Mardi Denham-Roberts, reciprocity, unfired clay, 2020. Documentation by Lucy Foster.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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