My practice incorporates elements of cinema, sound and photographic processes to broadly investigate the nature of experience, remembrance and nonproductive doing. Given the conception of dualism that has dominated our understanding of the world, my filmmaking relies on the use of extremely long takes and static camera perspectives in order to transform the familiar and reoccurring into vague vestiges of trace and drift. By meditating on what lies adrift, my work attempts to soften boundaries between subject and object, inside and outside.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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