Using film photography, I project 'markings' and mementos onto still images. I use 35mm film negatives, my own and from my family archive, to navigate ideas of nonlinear time, shared belonging and the motions of intimacy—focusing specifically on how these concepts impact our bodies and environments. I favour the medium of film photography for its chemical sensitivity as it responds directly to its local conditions. I warp and repurpose images with experimental substances, layering them on top of each other to produce landscapes that intervene with chronological ideas and represent different landmarks of belonging and mortality.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the people of the Boon Wurrung and Woi Wurrung, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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